The City Centre, formally the Eaton Centre, is an eye sore. There is no subtle way to put it. It’s ugly, it’s imposing and for such a young building, it’s aged terribly. However, there’s more to this postmodern monstrosity than what meets the eye. It’s become a part of the James Street North fabric and is worth examining more critically.
Completed in 1990 by Baltimore firm RTKL Architects, it was designed during a time when postmodernism was avant-garde in Canada. Mississauga’s City Hall was completed a mere three years earlier by architects Jones and Kirkland and for the most part, was a resounding success in a booming city. But one of the issues with postmodern architecture is it becomes dated. Quickly.
Though what’s interesting about architecture is how style is cyclical. What was once in style becomes out of style, only to be back in style again. Postmodernism has a charming braveness to it. It’s daring, confusing, whimsical, unique, and sometimes terribly executed (sorry, Michael Graves). Most buildings designed during this era of architecture look like they’ve had an identity crisis. Is it modern? Is it contemporary? Is it classical? The City Centre is no different. What is it?
Reticles of steel tracery surround the James St N entrance, an unintentional metaphor for how it missed the mark.
The exterior is more like a barracks than a mall and could be mistaken for the James Street North Armories. It’s a fortress, with almost no windows, unwelcoming entrances, and kitsch accents. The brickwork, tacky but fun; the steel framing, odd; the pastel colours, dated; and the clock tower is one of its only applaudable statements. Overall, the exterior could do with some re-imagining.
New glazing added to the York Boulevard facade
In 2008 Lintack Architects did some exterior and interior work, adding windows and offices along the York Boulevard streetwall. A continuation should be made to James Street North. More windows, entrances that reach further to the street, and a greater connectivity to storefronts at street level could help revitalize its appearance. There is no interplay between the City Centre and any of its neighbours. Finding ways to mirror the success of pedestrian friendly buildings is a step in the right direction.
The inside of the City Centre is a different story. It’s a lovely example of postmodern design done right. With nods to an architectural past (the interior was inspired by the Galleria Vittorio Emanuele II), the space is light, airy, and is a welcomed change compared to the abysmal, low-ceilinged bunker that is its neighbour, Jackson Square.
Skylights pour natural light into the space through rows of arches. Detailed columns line the balustrades on multiple levels, framing the space in a gentle manner. While the food court is below grade in an atrium setting, topped with a glass dome surrounded by a frieze titled “Lineage” by artists Susan Schelle and Mark Gomes. The interior brings back nostalgic feelings to many Hamiltonians and it ought to be preserved accordingly.
This is where the fear of change lies. The interior doesn’t need much. What it needs is refurbishing. The incandescent bulbs are burnt out like an old amusement ride, paint is peeling and fading into unrecognizable colours, and the space is sorely missing tenants.
Drawing tenants should be the main concern, which will come. After all, this playful space once housed Eaton’s. World Gym is soon to move in, which should bring a great amount of foot traffic and hopefully snowball into something more.
The food court needs food, the spaces require tenants, and the tiled floors need treads walking all over them. As Jackson Square slowly claws its way back to a viable shopping destination, so too will City Centre. All it needs is some love and attention.
Let’s just hope Cash 4 Money leaves the premises, because the City Centre is better than that. Nothing deters people like a shark in the water.
The new David Braley and Nancy Gordon Rock Garden Visitors Centre is ready just in time for spring.
Walking towards the entrance of the new Visitors Centre is when the immensity of the building is first felt. Designed by Toronto firm CS&P Architects, there is a touch of Eero Saarinen’s modern influence in its curving imagery.
The vistas from inside the main event room overlook the newly landscaped gardens below and Princess Point beyond. Illuminated glulam beams of Douglas fir line the ceiling like the veins of a leaf. The steel struts, just outside the windows, like trees in a forest. The allusion to nature blends the centre with its surroundings through subtle gestures of crafted symbolism.
The building includes offices, event space, public washrooms, and a café. A patio connected to the café is located just outside of the building, a romantic setting to enjoy a drink and overlook the beauty of this man-made paradise. There is also a courtyard for weddings and events, surrounded by walls of limestone, on the opposite end of the building.
Rebuild Hamilton 